
Doston, ek baat samjho. Dhanush sir is saying 12 saal baad Bollywood mein Hindi film karne ko. Last thi Raanjhanaa (2013) – aur woh film cult classic ban gayi. Kundan, unrequited love, tragic ending, aur Dhanush sir ke performance ki aaj bhi log baat karte hain.
Ab 2025 mein, woh same director Aanand L Rai ke saath phir se aaye hain, same character type ke saath (obsessive love), same intensity ke saath – but the thing is, woh 12 saal pehle ke Dhanush nahi hain. Woh ek national star ban gaye hain, South Indian cinema mein superstar, khud director bhi ban chuke hain. Matlab, woh alag mindset leke aa rahe hain.
Aur Kriti Sanon? Pehli baar Dhanush ke saath screen par. Dono ne trailer mein jo chemistry dikhayi hai, woh sach mein “just happened” hai – unhe pehle se nahi pata tha kya milega. AR Rahman sir – Oscar winner – music de rahe hain.

Toh basically, Tere Ishq Mein ek reunion film hai, ek comeback hai, aur ek completely new experiment bhi hai ek sath.
Suno, pehle chapter mein film Banaras set hai – Varanasi ke ghats, Ganga ke paas, spirituality ke beech mein ek college love story set hoti hai. Shankar (Dhanush) – ek angry young man, passionate, intense. Jab woh Mukti (Kriti Sanon) ko dekh leta hai, it’s not love at first sight – it’s obsession at first sight.
College mein dono ka time beautiful hota hai – normal loveliness, hand-holding, conversations – typical romance ka setup. But Aanand L Rai here plants seeds of something darker, something that will bloom later into something painful.
Yeh point important hai: Director Aanand L Rai ne interviews mein kaha hai, “Ishk is only about surrender – letting it heal you, hurt you, and change you.” So even opening se he’s saying – yeh sirf pretty love story nahi hai. Yeh ek journey hai jo pain mein jaayegi.
Ab yeh point karo! Title track “Tere Ishq Mein” – Arijit Singh ki voice – pehla hi note sunte hi pata chal jaata hai na, yeh song ek obsession ke baare mein hai. It’s not melodious in a “pretty way” – it’s beautiful in a “aching way.”
Lyrics by Irshad Kamil aur composition by AR Rahman – dono ne milke kya kiya?
Unhone “love” ko ek dark, consuming thing dikha diya.
Rahman ne traditional strings use kiye hain but futuristic elements bhi add kiye hain. Ghatam, violin, synthesizer – sab milke ek emotional texture create karte hain jo “love” ko ek completely different lens se dikhata hai.
Ab yeh interval ka game-changer moment hai. Teaser mein isko already show kiya gaya tha – Shankar apne father ke funeral se directly Mukti ke Mehendi par pahunchta hai. Aur woh kya karta hai?
Ganga jal uske upar gira deta hai, bolte hue something intense jaise curse de raha ho.
Yeh moment symbolically bahut important hai. Banaras mein aur poore Bharat mein Ganga paani sacred hai, healing power hain.
But here, Shankar use kar raha hai ise as a weapon, as a way to “punish” Mukti ki choice ke liye. Par yeh symbolic bhi hai – woh Mukti ko pure bhi kar raha hai saath mein because we pour Ganga Jal for shuddhi also.
Spoilers incoming, par yeh batana zaroori hai audience ko – Mukti doesn’t just change her mind randomly. There’s a reason. Trailer mein baad mein clearly show hota hai ki woh Shankar ke character se scared hai, woh samajh kar rahi hai that his love is obsessive, not healthy. Aur she chooses her own freedom over his love.
Toh interval se pehle, audience ko lagega, “Arre, woh toh villain hai Mukti!” But actually? Woh strong woman hai jo apne aap ko save kar rahi hai ( may be I am wrong, the actual plot will only get revealed on the movie release date, i.e., 28 November, 2025)
Reddit mein ek leak hua tha jisme ek user ne likha, “A toxic guy who loves her but she doesn’t. He causes mayhem to get her. She retaliates and destroys him in the end earning her freedom (mukti).”
Basically, interval block se pehle film establish karta hai: Shankar woh nahi sunega jo Mukti keh rahi hai. Woh apne anger, apne obsession ko unleash karega. Scenes hain jahan woh goons ke saath fight kar raha hai, jahan Mukti ko show kiya jaata hai ki alcohol mein doob ke apne pain ko numb kar rahi hai.
Yeh darker territory hai. Yeh “love story” nahi rahi, yeh ek character study ban gayi hai – dono ke pain, dono ke struggle ko dikhana.

Climax mein Mukti apne aap ko defend karti hai. Woh victim nahi rahi. Woh warrior ban gayi.
Aanand L Rai ne kya kiya? Unhone typical “love wins” ending nahi diya. Unhone “I choose myself” ending di. Mukti character ko strength di – she “destroys” Shankar’s obsession. Yeh destruction physical bhi ho sakta hai, emotional bhi ho sakta hai, par woh hota hai.
Dhanush ka climax performance – yeh critical moment hai: Woh dikhayega ki ek passionate, obsessive character ko suddenly realize hota hai that his love was hurting, not helping. Aur yeh realization uske character ko break karti hai.
Film mein Shankar’s arc poora interesting hai. Raanjhanaa mein Kundan tragedy mein jaata tha. Yahan? Shayad nahi jaata (speculation, par teaser aur interviews se yeh feel aata hai). Shayad woh evolve karta hai. Shayad woh accept karta hai ki “mera ishq toxic hai.”
Aanand L Rai ne kaha hai, “This is about surrender.” Toh climax mein maybe Shankar ko surrender karna padta hai – apne obsession ko, apne need ko control karna padta hai. Aur woh acceptance, woh surrender, woh actually more mature journey hai previous film ke comparison mein.
Climax mein likely ek closure song aayega. AR Rahman ne generally endings mein poetic songs di hain. Yahan bhi expected hai ki final moment mein music something profound bolega – maybe acceptance, maybe loss, maybe transformation.
Film mein teaser se pata chal raha hai tone “bitter-sweet” hai. Not completely happy, not completely tragic. Just… real. Mature. Heartbreaking but earned.
Aanand L Rai aaj Bollywood mein ek status symbol hain. Tanu Weds Manu, Zero, Atrangi Re – sab unique kahaniyan. Lekin Raanjhanaa unki landmark film thi, debut thi.
Ab woh same story pattern ko revisit kar rahe hain – 12 saal baad, different maturity ke saath. Yeh bold move hai. Kyunki Raanjhanaa ke fans ne kabhi expect nahin kiya tha ki Dhanush’s character Kundan ke character ki waapsi phir se hogi.
Director ne interviews mein kaha, “Ishk is only about surrender, letting it heal you, hurt you, and change you.”
Production design: Banaras. Practical locations. Not a tourist-brochure Varanasi, but the spiritual, emotional, gritty Varanasi. Production design ne real ghats, real atmosphere capture kiya hai.
Cinematography: Professional quality, atmospheric lighting. The use of natural light, the way Ganga flows through frames – sab cinematic choice hai director aur cinematographer ke.
Film T-Series, Color Yellow Productions, aur Gulshan Kumar ke banner se hai. Matlab financially solid production.
Budget?
Substantial hain, lekin Hollywood blockbuster level nahi. Bollywood mid-to-big budget film ka level – meaning money laga hai jahan lagana tha (music, locations, production value).
Aur T-Series ne banking kiya AR Rahman ke music par – kyu? Kyunki music has power to make or break a film.
Raanjhanaa (2013) – Dhanush ne Bollywood debut kiya, Aanand L Rai ne directorial debut. Both became superstars after that.
Now 2025 mein reunion.
But the difference is- Same director, same obsessive love character type, but now both are matured, both are more experienced. Film ke interviews mein even Dhanush ne kaha, “Working with Aanand again felt like coming home, but with new understanding of craft.”
Hrithik’s acting style zyada polished, zyada controlled. Dhanush ki strength naturalism mein hai, rawness mein. Shankar ko rawness chahiye, isliye Dhanush sahi casting hai.
Kriti ne interviews mein openly kaha, “I think Dhanush is an incredible actor. Even though we hadn’t met before, it worked out beautifully.”
Yeh important observation hai. Dono actors ne pehli baar kaam kiya saath mein, aur “magical moments” create ho gaye.
How does that happened?
Kyunki professional acting jab high level pe hota hai, dono actors ek space create kar sakte hain where they feed off each other’s energy. Kriti ne kaha, “We’d look at each other after a scene and think, ‘That was a good scene!’ It just worked.”
Yeh authenticity important hai – kyunki unhone fake nahi kiya, genuine collaboration di.
What if Deepika Padukone hoti?
Deepika bhi excellent actress hai, lekin unka on-screen presence zyada regal, zyada composed. Kriti mein Mukti character ke liye – strength bhi hai but vulnerability bhi hai – Kriti fit kar gyi.
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This movie is for: Serious cinema lovers, AR Rahman fans, character-study enthusiasts, Dhanush admirers, people who like films that stay with you for days after
Real honest answer? Dhanush sir ne interviews mein kaha, “I was running away from Bollywood after Raanjhanaa because success can sometimes trap you. I went South, built a different career, became confident in different way. Now, coming back to same character type with same director – it feels earned, not forced.”
Matlab woh aaye hain kyunki story mein believe karte hain, director mein believe karte hain, characters mein believe karte hain.
Tere Ishq Mein sirf love story nahi hai. Yeh ek question hai – “Kaun jeeta – love ya freedom?”
Raanjhanaa mein love “won” – tragedy mein, lekin love was the ultimate truth.
Tere Ishq Mein mein? Maybe freedom wins. Maybe maturity wins. Maybe both lose, both grow.
Aur woh pata chalega November 28 ko.
Comment mein batao – kaun jeetega aapki nazar mein – Shankar ka obsessive love, ya Mukti ki freedom? Aur agar Dhanush ek baar phir Aanand L Rai ke saath film karte hain next time, toh kaun si story dekhna pasand karoge?
Like, comment, share karo, aur 28 ko theater jaao, ya mere review ke baad chale jaana, jaisa theek lage! 🎬❤️






